2016 Open House & Ethnography Practicum

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The annual SED Open House will be held from 4-6p on Tuesday the 29th. Like last year, we’ll be holding the Open House in the Mandeville Suite, which in on the 11th floor of Tioga Hall in Muir College. Come to meet faculty and graduate students who are interested in ethnography and to hear about SED’s plans for the winter and spring quarters. Amongst other things, we plan to offer programming that explores the intersection of ethnographic practice and political engagement, broadly construed.

Second, starting this January SED will be sponsoring an Ethnography Practicum. The practicum is for graduate students and faculty who are currently working — at any stage — on an ethnographic project. It is a chance to workshop aspects of your project and to learn from fellow practitioners. The practicum will meet once a month throughout winter and spring quarters. Each month different faculty will be invited based on the issues or dilemmas that students want to address at that month’s meeting. Students can receive course credit (pass/no-pass) for the practicum by enrolling in ANTH 287, COGR 285, or ETHN 287 for the spring 2017 quarter. To receive course credit a student will need to attend the six practicums as well as 4 SED programming events over the span of the winter and spring quarters; exceptions and accommodations can be made for extenuating circumstances such as conference travel, job interviews, health issues, and so forth. Please note that the ethnographic practicum is meant as a supplement, not a replacement, for the ethnographic methods courses offered by various departments.

If you are interested in participating in the practicum, whether for course credit or just as an occassional attendee, please fill out this short form:

https://goo.gl/forms/0prjknG2ZJGlf1ys1

Winter/Spring 2016 SED Schedule

Thursday June 2nd – Year End Open House. 5:30-7:30pm, SME 408. Come help us celebrate this past year and look forward to the next! Refreshments will be served.

January 7th – Performance Ethnography Lab I: Table Reading of work-in-progress ethnographic play I WAS NEVER ALONE, Cassandra Hartblay (UCSD Communication Postdoc) – 12:00-2:00pm

January 14th – Carceral Societies: Victor Rios (UCSB) – 12:30-1:45pm, Informal Lunch Discussion on methodology 2-3.

January 29th – Infrastructures: Hannah Appel (UCLA Anthropology), Akhil Gupta (UCLA Anthropology), race and infrastructure working group – 1-3pm, SME 408.

February 8th – ROUNDTABLE DISCUSSION. Digital Practice: Doing Work – ethnographic, artistic, political, and otherwise – about and through the Internet. With Gabriella Coleman (McGill University), Chris Kelty (UCLA), Roderic Crooks (UCLA), Ricardo Dominguez (UCSD). 3-5pm, SME 408.

February 11th – Internet Infrastructures: Ashwin Mathew (Berkeley) “Protocol as an Ethnographic Fieldsite” – 11-12:30pm, SME 408

February 25th – Philippe Bourgois (University of Pennsylvania Anthropology) – 12:30-1:45pm

April 1st – Performance Ethnography Lab II: Performing Ethnography in the Classroom – Saiba Varma (UCSD Anthropology) and Utpal Sandesara (UPenn Anthropology) –  2-4pm, SME 408

April 25th – “La Racha: Speed and Violence in Tijuana” – A discussion of a paper by Rihan Yeh (El Colegio de Michoacán) – 12-2pm, SME 408.

April 27th – Performance Ethnography Lab III: An Archaeology of Multi-Media: Studies in Materiality and Form – Roshanak Kheshti (UCSD Ethnic Studies) discusses new work – 12-2pm, SME 408.

May 6th-7th – Seminar on Sensory Ethnography: Kathleen Stewart (UT Austin), Marina Peterson (Ohio University), Lesley Stern (UCSD), Cristina Rivera-Garza (UCSD) and Katrin Pesch (UCSD).  Friday May 6th  from 2:00 p.m. – 5:00 p.m. in SME 408.
Download the seminar readings here.


Monday, November 9th: SED Open House

SED 2015 Open House

Please join us on November 9th, 5:30-7pm, for a SED Open House. There will be light refreshments, a touch of feminist theory theater, opportunities to interact with fellow SEDistas, and a run-down of our upcoming events for the year.

Multi-sited Ethnographies: A Conversation Across the Social Sciences

multi-sited ethnographies SED event_finalMONDAY, May 18th
12:00 – 1:30 PM
VISUAL ARTS @ SME (STRUCTURAL & MATERIALS ENGINEERING), ROOM 408

Join SED for a discussion on multi-sited ethnographic research design co-hosted with the New Directions in Culture, Power, and History Group in Anthropology. More and more, ethnographers carry out their research in many sites, often across borders, in radically different spaces and environments. What are the challenges and benefits of doing this sort of research? We have gathered three UCSD scholars to discuss their experiences carrying out such research, focusing on the ways they theorize their own methods. This informal lunch time discussion will enact a conversation about ethnography, the challenges and possibilities of multi-sited research across the social sciences. Graduate students considering how to frame their own multi-sited research projects are encouraged to attend.

Abigail Andrews is an Assistant Professor of Sociology and Urban Studies and Planning at UCSD. She studies the intersection of development, migration, and gender, with a focus on the relationships between Mexico and the United States. Most of her research is based on a cross-border ethnography of Mexican sending communities and their migrants in the United States. Her current book manuscript explores how practices of state power in local sites on each side of the border influence migrants’ paths into and out of the United States. It then considers how migrant communities respond to exclusion and exploitation, sparking new forms of cross-border political advocacy. In this work — and following the interactions across transnational migrants communities — Professor Andrews grapples with the question of how power and politics operate across place.

David Pederson is an Associate Professor in Anthropology at UCSD. He is the author of American Value: Migrants, Money and Meaning in El Salvador and the United States, published in the University of Chicago Press series, ‘Chicago Studies in Practices of Meaning’ in 2014. He is writing a new book, entitled Lethal Haven, about the role of warfare in the establishment of the US dollar as a world currency. In his research, Pedersen has developed a semiotic approach for studying the relationship between immediately perceivable phenomena and larger geohistorical tendencies, predicated on conducting ethnographic research across multiple locales and according to varied foci and scales of analysis.

Elana Zilberg is an Associate Professor in the Communication Department at UCSD and the co-founder and director of the Studio for Ethnographic Design at UCSD. Her book Space of Detention: The Making of a Transnational Gang Crisis between Los Angeles and San Salvador (Duke University Press 2011) is a multi-sited ethnographic account and spatial analysis of how transnational gangs became an issue of central concern for national and regional security between the U.S. and Central America. Her new project on river revitalization in the Southwestern United States and U.S. – Mexico border regions extends her interest in the urban built environment and the geography and spatial expression of race, into the domains of urban nature, infrastructure, and environmental justice.

Suggested Reading(s):
TBA

Wednesday, April 29th: Ethnography | A prototype – Alberto Corsín Jiménez

Jiménez SED event poster

WEDNESDAY, April 29th
4:00 – 6:00 PM
VISUAL ARTS @ SME (STRUCTURAL & MATERIALS ENGINEERING), ROOM 408

Join SED for a talk by Alberto Corsín Jiménez, Associate Professor in Social Anthropology at the Spanish National Research Council (CSIC) in Madrid. Professor Jiménez will discuss the politics of prototyping at the intersection of ethnographic design and free culture activism. This talk describes a long-term collaborative project with a variety of free culture activists in Madrid: digital artists, Occupy assemblies and guerrilla architectural collectives. Coming of age as Spain walked into the abyss of the economic crisis, Jiménez describes how the research team was forced to re- function the ethnographic project into a ‘prototype’- a notion borrowed from free culture activism. These ethnographic prototypes allowed the team to argue with collaborators *about* the city at the same time as we argued *through* the city. Providing a symmetrical counterpoint to the actions of free culture hackers elsewhere in the city, these anthropological prototypes were both a cultural signature of the radical praxis taking place in Madrid today and its expressive infrastructure.

Alberto Corsín Jiménez has recently completed a book, A trompe l’oeil anthropology for a common world (Berghahn 2013), and edited a special issue on “Prototyping Cultures” for the Journal of Cultural Economy (2014). He is also the editor of Culture and well-being: anthropological approaches to freedom and political ethics (Pluto 2008) and The anthropology of organisations (Ashgate 2007). He is a founding member of Ciudad Escuela (http://ciudad-escuela.org/), an open-source urban pedagogical platform.g.

Suggested Reading:
TBA

Wednesday, April 22nd: Documentary Theatre and Ethnographic Practice | Workshop with Paul Flores and Alex Sanchez

SED Placas Theatre Workshop Poster

WEDNESDAY, April 22nd
3:00 – 5:00 PM
VISUAL ARTS @ SME (STRUCTURAL & MATERIALS ENGINEERING), ROOM 408

The Studio for Ethnographic Design presents playwright Paul Flores and gang peacemaker Alex Sanchez. Flores will discuss the relevance of ethnographic practice in developing his documentary theatre work PLACAS: The Most Dangerous Tattoo. The workshop will also feature Sanchez, who will reflect upon his experience in collaborating with academics, journalists, and artists in general, and ethnographers in particular, in developing projects of mutual concern.

Workshop participants will discuss the intersections between ethnography and theatre as sites for collaboration and social transformation. Using PLACAS as an example, participants will engage with ethnographic research techniques geared towards building documentary theatre.

Suggested Reading:
PLACAS Study Guide.

PLACAS: Events on Ethnography, Theatre, and Latino Cultural Production

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Join SED for a three-day series of events celebrating Latino cultural production, ethical research practice, and ethnographic design in anticipation of the theatre production PLACAS: The Most Dangerous Tattoo. The play follows the life of a Salvadorean ex-gang member and his journey to remove his tattoos, save his son, and explore his identity. Written by Paul Flores (UCSD alum) and directed by Michael John Garces (Cornerstone Theatre), PLACAS is based on the life of activist and founder of Homies Unidos, Alex Sanchez, who is played by Ric Salinas of Culture Clash. The play will be performed at Lincoln High School in National City, April 23-25. Playwright Flores, activist Sanchez, and the rest of the cast will be engaged in multiple events at UC San Diego to discuss documentary practices and social justice issues.

MONDAY, April 20th
12:00 – 2:00 PM
RAZA RESOURCE CENTER CONFERENCE ROOM

UCSD alumni discuss how cultural identity is an asset for community organizing, and how UCSD prepares graduates for leadership in community transformation and social justice campaigns.

TUESDAY, April 21st
4:00 – 6:00 PM
VISUAL ARTS @ SME (STRUCTURAL & MATERIALS ENGINEERING) ROOM 149

An excerpt from the critically acclaimed play by UCSD Writing/ Literature alum Paul S. Flores about transnational gangs, tattoo removal and healing. Followed by a discussion with cast and gang peacemaker Alex Sanchez.

WEDNESDAY, April 22nd
3:00 – 5:00 PM
VISUAL ARTS @ SME (STRUCTURAL & MATERIALS ENGINEERING) ROOM 408

The Studio for Ethnographic Design presents playwright Paul Flores and activist Alex Sanchez. Flores will discuss the relevance of ethnographic practice in developing his documentary theatre work PLACAS: The Most Dangerous Tattoo. The workshop will also feature gang peacemaker Alex Sanchez, who will reflect upon his experience in collaborating with academics, journalists, and artists in general, and ethnographers in particular, in developing projects of mutual concern.

Cripping/Disabling Ethnography: A discussion with Cassandra Hartblay

CrippingEthnographyTHURSDAY, March 12th
2:30 – 4:30 PM
VISUAL ARTS @ SME (STRUCTURAL & MATERIALS ENGINEERING), ROOM 204

Join SED for a discussion on ethnography and disability co-hosted with the Center for Humanities Research Group Translat(e)ability: Borders, Disability, and Crip Collaboratives. Cassandra Hartblay – a PhD Candidate in the Department of Anthropology at the University of North Carolina at Chapel Hill – will present work on the tensions and possibilities of producing ethnographic work in relation to critical disability studies.

Cassandra Hartblay is an award-winning scholar of disability and postsoviet Russia. An ethnographer and cultural anthropologist by training, her work contributes to interdisciplinary conversations in queer/feminist disability studies, global studies, and infrastructure studies. Cassandra’s work on comparative regimes of productivity and dependency, as related to gender, disability, and the welfare state between the United States and Soviet Union in the 20th century, received the competitive Irving K. Zola Award for Emerging Scholars in Disability Studies in 2013. She has also worked as an applied qualitative researcher with the Soros Foundation, contributing to a collected volume on inclusive education in Central Asia. She is a dedicated ethnographer devoted to community engagement, critical praxis, social change, and fostering cross-cultural understanding.

Suggested Reading:
Hartblay, C. (2015). “It’s just for the check mark”: Minimum Requirements, Global Friction, and Inaccessible Accessibility Ramps in Russia. Work in Progress.

March 9: Ethnographic Presence, Absence, and Substance. A discussion with Stefan Helmreich

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This is a discussion-style event – please feel welcome to attend even if you do not have time for the readings.

Suggested Readings:

Helmreich 2007 An Anthropologist Underwater

Choy 2011 Air’s Substantiations

Stefan Helmreich is the Elting E. Morison Professor and Program Head of Anthropology at MIT. His research examines the works and lives of biologists thinking through the limits of “life” as a category of analysis. Alien Ocean: Anthropological Voyages in Microbial Seas (University of California Press, 2009) is a study of marine biologists working in realms usually out of sight and reach: the microscopic world, the deep sea, and oceans outside national sovereignty. This book, winner of the 2010 Senior Book Prize from the American Ethnological Society, the 2010 Gregory Bateson Book Prize from Society for Cultural Anthropology, and the 2012 Rachel Carson Book Prize from the Society for Social Studies of Science, charts how marine microbes are entangled with debates about the origin of life, climate change, property in the ocean commons, and the possibility of life on other worlds. An earlier book, Silicon Second Nature: Culturing Artificial Life in a Digital World (University of California Press, 1998) is an ethnography of computer modeling in the life sciences. In 2000, it won the Diana Forsythe Book Prize from the American Anthropological Association. Helmreich’s newest research concerns the cultural circulation of such abstractions as “water,” “sound,” and “waves.”

 

March 3rd & March 6th: Brian Cross & Tara-Lynne Pixley – “Visual Ethnographies and Documentary Practices”

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TUESDAY, March 3rd
9:30 – 11:00 AM
STRUCTURAL & MATERIALS ENGINEERING (SME) ROOM 408

Join SED for breakfast and a vibrant discussion on visual ethnographies and documentary practices led by Visual Arts professor Brian Cross (B+) and Communication PhD student Tara-Lynne Pixley. Cross and Pixley  both photographers and filmmakers   will discuss the interstitial terrain between these different forms and fields of practice.

FRIDAY, March 6th
3:00 – 5:00 PM
STRUCTURAL & MATERIALS ENGINEERING (SME) ROOM 408

Part II of this workshop is structured as a collaborative event where participants are encouraged to share works-in-progress (photography, video, and multimedia projects), receive feedback, and discuss future iterations of these visual and experimental projects.

Suggested Readings:

Connole, B. (n.d.). Sub-altermodern art? An interview with B+.

MacDougall, D. (1978). Ethnographic Film: Failure and Promise. Annual Review of Anthropology, 7, 405-425.

Minh-Ha, T. (1990). Documentary Is/Not a Name. October, 52 (Spring), 76-98.